translateTranslate Tool

This is a machine translation. We don't guarantee the accuracy of the contents.
If you want an accurate translation, please look for bilingual from here.
arrow_downward
タイトル
メッセージの内容
タイトル
メッセージの内容
Confirm
メッセージの内容
Loading..
 

Send Message

  • schedule Status:
    Available to work
  • Appraisal :
  • Job History(F) : 1 Results
  • Identified
  • Viet Nam
  • Favorites : 0 Results
Skills
Creative writing
Photo Shooting and Post
Video and Movie shooting
English ⇔ Vietnamese
  • Last Login : 2020-03-26
  • Member Since : 2019-09-02
  • Independent filmmaker
    Design & Multimedia Photo, Picture, Voice, Audio, and Voice Photo Shooting and Post
    Duration to complete job2days
    Desired remuneration price10,000 yen to 50,000 yen
    13cd4d62b256440abdf7edc7096a6a87
    PHAM THU HANG


    BRIFT SUMMARY

    I worked as a researcher in Vietnam Institute of Culture and Art since 2004. Later in 2009, I joined HanoiDoclab, a breakthrough documentary and video art center in Hanoi where I made several short documentary films.
    I recently obtained Master’s in Documentary Directing in a consortium of three universities in Europe under the DocNomads Joint Masters program in Lisbon, Budapest and Brussels.
    Working as an independent filmmaker based in Hanoi, I want to add my voice in the small but active and growing community of young independent documentary filmmakers in Vietnam.
    My concern in filmmaking opens to many themes but mainly draws attention to rediscovering Vietnamese culture and the connection between the internal world in Vietnam and the world outside, especially in the context of contemporary globalization.

    EDUCATION
    Master of Documentary filmmaking, Doc Nomads Erasmus Mundus Master Course, 2015
    Bachelor of Culture Studies, University of Social Sciences and Humanities, VNU Hanoi, 2004
    Documentary and Experimental Film-Making Course, Hanoi DOCLAB, Goethe Institute 2009-2011
    Film criticism and theory, Film Studies program – University of Sciences and Humanities Hanoi & Ford Foundation, 2011



    FILMOGRAPHY

    2018 The future cries beneath our soil.
    Link: https://vimeo.com/287804617/settings
    Password: dinh&loc
    2010 Rambling, 5m, Documentary
    2010 Hai Ly 2010, 5m, Documentary
    2010 Section number 8, 17m, Documentary
    2012 An Encounter, 10 m, Documentary
    Link: https://www.youtube.com/watch?v=YBw69AjlviU
    2014 From where she comes, 26m, Documentary
    Link: https://vimeo.com/102212191
    2015 On the back of a seashell, 23m, Documentary
    Link: https://vimeo.com/136114089
    Pass: docnomads
    In between. 15m. documentary
    Link: https://vimeo.com/121267372
    Pass: inbetween




    AWARDS

    The Future Cries Beneath Our Soil 2018
    - Best Director at Singapore International Film Festival
    Hai Ly 2010
    - Second prize – in ‘Climate Change’ competition by Goethe Institute
    Section number 8
    - Best Film at the 2nd Salaya International Documentary Film Festival, Thailand
    - Special Mention in the New Asia Current section of the 2011 Yamagata International Documentary Film Festival



    SCREENING/ EXHIBITIONS


    DMZ film festival in Korea, Sept, 2018
    Singapore International Film Festival 2018
    Moscow International Documentary Film Festival DOKer 2019
    Yamagata International Documentary Film Festival 2011
    Festival International De Curtas Do Rio De Janeiro 2011
    Bangkok Experimental Film Festival 6 (BEFF 6)
    The 4th European - Vietnamese Documentary Film Week
    Salaya International Documentary Film Festival, Thailand.



    CURRENT PROJECT


    UHURU MAN
    2019

    This is a film about Ferdinand, the Burundian refugee who lives in Nakivale, the second biggest and oldest refugee resettlement in the world in Uganda. Struggling to build up a new page of his life in the camp while still living in fear of being arrested any time by hidden Burundian police who sent to the camp to look for him


    SELECTED PAST WORKS


    AN ENCOUNTER
    2014
    https://youtu.be/YBw69AjlviU



    This film came from a question raised during a lecture on how to form an idea for making a film in my class back in 2014. The professor said that we could only make film on a problematic issue, about some story that was special and unique.
    I wanted to challenge that idea by making a film about an ordinary person that I meet randomly in the street.
    In this film, I followed a Nepalese guy who worked in a Chinese shop in Lisbon, Portugal. I found him very boring and had nothing to talk to him except for some vague conversions in our first encounter. But then slowly, the more we talked the more interesting he became, and I just went on shooting until he got irritated and didn’t want to see me anymore.
    This is a short film that makes me more convinced about the way of film making in which whether a film could be made or not, it totally depends on a filmmaker’s perspective and how profound they would be able to fathom a deep wave under the surface of a subject/topic.














    FROM WHERE SHE COMES
    2014
    https://vimeo.com/102212191

    This film is about two Iranian girls who live far away from their mother land, struggling everyday with their new life in a foreign country while still carrying profoundly the pain they have in their soul toward their motherland.












    IN BEWEEN
    2015
    https://vimeo.com/121267372
    Password: inbetween

    This film is in a form of a letter writing to a friend that I met accidently in a film festival. We shared a lot of things in common, especially our inferior complex of two Asians living in Western society, the feeling of being uprooted from our ancestor culture and society in which we belong to, how would we deal with that uprootedness by defining the notion of home where we could take refuge in.
















    THE FUTURE CRIES BENEATH OUR SOIL
    2018
    https://vimeo.com/287804617
    Password: dinh&loc
    Surrounded by the surreal landscape of Quang Tri province, four men live their lives inseparably from each other. The rhythm of their everyday lives is defined by moments of togetherness in a house with no doors where they all come to drink, smoke, play guitar and sing songs about love and the revolution of the past. Feelings of hatred interweave with compassion, swelling amidst the stagnation of time and space, seemingly awaiting for an unknown. One day, the unknown comes and takes one of them away, leaving the others to go on slipping through an undesired life. Meanwhile, the landscape, located in the border between North and South Vietnam, is what lives on, revealing traces of a war that has outlived its conclusion.